南北戦争のリー将軍顕彰は、靖国のA級戦犯合祀と同一視できるか?

めもがわりに。
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OGAWA Kandai @grossherzigkeit

@gryphonjapan とりとめのない話を書きすぎてしまいました。実は今から私は「リー将軍愚将論」を綴った全日本南北戦争フォーラムの会報をコミックマーケットで売りに、ビッグサイトへ行かねばなりません。 http://t.co/Vh1HuPJQA6 大変すみませんがまた後ほど!

2013-12-31 06:22:41
Gryphon(INVISIBLE暫定的再起動 m-dojo) @gryphonjapan

ブクマ 南北戦争の南軍指導者でウィキペディアでも「アメリカ屈指の名将」と紹介されているリー将軍は、実は愚将?という意外な説…が、本日のコミケで販売されるとか。 / “全日本南北戦争フォーラム: 12月31日、コミックマーケット85…” http://t.co/1XRZcIsbg2

2013-12-31 06:28:40
Gryphon(INVISIBLE暫定的再起動 m-dojo) @gryphonjapan

「八重の桜」総集編は地上波なら1月2日。前半は南北戦争の映像も少し登場し、「ライフル時代の黎明」が非常に詳しく描かれていた・・・・ / “関連情報|関連情報・FAQ|NHK大河ドラマ「八重の桜」” http://t.co/0oxnqMUrdI

2013-12-31 06:36:54
リンク NHK大河ドラマ「八重の桜」 関連情報|関連情報・FAQ|NHK大河ドラマ「八重の桜」 2013年大河ドラマ「八重の桜」の公式サイト。新たな出演者発表などドラマの最新情報をいちはやくお届けします。2013年大河ドラマは&&国敗れてもその地で育まれた会津武士道で、生涯自分の可能性に挑み続け、すべての人の幸福を願った会津女・新島八重と、仲間たちの愛と希望の物語。「東北・福島に根付く不屈のプライド」で日本にエールを送る!!

発端となった文章、いずれ訳したいと思いながらできていない。
消えたりする可能性が心配なので…
http://www.washingtonpost.com/local/why-are-robert-e-lee-and-stonewall-jackson-honored-at-washington-national-cathedral/2013/12/10/af3429f2-60e2-11e3-94ad-004fefa61ee6_story.html

===============

By John Kelly, Published: December 11 E-mail the writers
On Wednesday, mourners will gather at Washington National Cathedral to celebrate the legacy of Nelson Mandela, a man who fought for racial equality. I’m guessing most of them will have no idea they’re sitting in a place that has shrines to two people who fought against it.

I certainly know I was surprised when I learned recently that two memorial niches — complete with stained-glass windows and laudatory inscriptions — honor Confederate generals Robert E. Lee and Stonewall Jackson.

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(John Kelly/ The Washington Post ) - A detail of the stained-glass window honoring Stonewall Jackson. It depicts him reading the Bible under the Confederate battle flag.(John Kelly/ The Washington Post ) - A detail of a stained-glass window in the National Cathedral honoring Robert E. Lee in Washington. It depicts Lee's early army career as an engineer and features the Confederate battle flag. It's part of commemorative niche to the Confederate officer. Nearby is one to Stonewall Jackson.
(John Kelly/ The Washington Post ) - A detail of the stained-glass window honoring Stonewall Jackson. It depicts him reading the Bible under the Confederate battle flag.
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Jackson is described as walking “humbly before his Creator, whose word was his guide.” Lee is described as a “servant of God, leader of men, general-in-chief of the armies of the Confederate States whose compelling sense of duty, serene faith and unfailing courtesy mark him for all ages as a Christian soldier without fear and without reproach.”

Above each inscription are stained-glass windows depicting events from the mens’ lives. They even feature the Confederate flag.

Absent from the hagiography is any suggestion that the cause Lee and Jackson fought for was in any way controversial, or that the presence of the niches is inappropriate for a cathedral, especially a cathedral in the capital of the union the generals tried to destroy.

“The contradiction in terms is what attracted me to this topic,” said Evie Terrono, a Randolph-Macon College art history professor who has studied the history of the niches and other Civil War memorials.

A cathedral monument to Jackson and Lee was first proposed in 1931 by the United Daughters of the Confederacy, a group that had been active in putting a decidedly Southern spin on the Civil War. While it was never able to erect a “faithful slave mammies” memorial in Washington, the UDC was successful in dedicating what’s known as the “faithful slave” memorial in Harpers Ferry, W.Va.

The Lee and Jackson niches were finally dedicated in 1953, long after the Civil War was over and long after an interesting thing had happened: Americans had almost stopped thinking of Lee and Jackson as Southerners.

“In many ways they were absolved of sectional politics and ensconced into the landscape of the American political experience,” Terrono said.

They also became wrapped in a spiritual mantle.

“Particularly after Lee’s death there emerges a kind of canonization,” Terrono said. “They become saintly figures. . . . That’s the context within which one has to consider these commemorative structures.”

The generals are honored in the cathedral not because they were soldiers, but because they were Christian soldiers. (This perhaps illustrates the limits of Christianity — or, I suppose, of any religion.)

The irony is that despite holding the remains of one of the country’s most racist presidents — Woodrow Wilson — the cathedral was at the forefront of the civil rights movement in the 1960s. Clergy members supported integration. The Rev. Martin Luther King Jr. delivered a sermon at the cathedral just four days before his death.

And yet, there are the odes to Jackson and Lee, slave owners whose cause included keeping blacks in chains.

“To have them enshrined in this national place of reflection can be really disconcerting,” said Chris Mackowski, a St. Bonaventure University journalism professor and author who has written about the niches on the Emerging Civil War blog.

“It’s easy for people to pass judgment on history,” Mackowski said. “I don’t think that’s particularly constructive. I don’t think it’s fair to the people back then, and I don’t think it’s useful to us now.”

Rather, Mackowski said, the niches should force us to ask questions: What was the context in which they were created? How is that different from today?

Cathedral spokesman Richard Weinberg said he’s not aware of any criticism of the niches. He said: “In its iconography, the cathedral depicts not only religious history — the story of Christianity — but also tells the story of American history. The Civil War is part of American history. American history includes good and bad things.”

Weinberg pointed out that not too far away from Lee and Jackson is a bay dedicated to Abraham Lincoln.

Of course, Lincoln was on the right side, the winning side.

I don’t think the stained-glass windows should be pried from their frames, but I’m not comfortable with the unquestioning context in which they’re presented. How about adding some sort of sign that explains the windows’ history and that acknowledges the overwhelming oddness of treating these two flawed men like saints?

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